Nelson
MALLÉUS
Orchestrator, clarinetist
& music instruments designer
Ressources for composers, orchestrators & instrumentalists
Questions I ask myself, questions I hear, common preconceptions...
... whether on the operation of an instrument,
instrumental techniques and their writing, the perception of a sound phenomenon...
... we can not practice the demanding art wich music is
on weak technical bases!
I offer here various files that I hope will answer some of your questions. If they do not, do not hesitate to contact to me!
These ressources are freely accessible thanks to the participation of many contributors, who by their contribution in knowledge, equipment or their instrumental participation gave these ressources a quality that I could not reach alone, a big thank-you to all of them!
Harmonics for strings
Harmonics for woodwinds
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Part 4 : Multiphonics on clarinet (coming soon)
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Part 6 : Comparaison between the sounds of the clarinet and the saxophone (fr)
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Part 7 : The Venova case (fr)
Focus on instrumental effects & accessories
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Mutes for brass (coming soon)
Unpitched instruments
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Part 2 : Using unpitched sounds in tonal music (coming soon)
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Part 3 : A proposition to better fit unpitched sounds in tonal music (coming soon)
Pitch and tune
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Part 1 : Micro-intervals (coming soon)
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Part 2 : Tuning accuracy (coming soon)
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Part 2bis : Experimental protocol (coming soon)
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Part 3 : Equal temperament (coming soon)
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Part 4 : The precision of the violinist fingers (coming soon)
Recording
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Selecting recording places (coming soon)
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Extra-instrumental gears for musician (coming soon)
Books, events...
Thanks to...
Tom Dercourt - Film producer
Agathe Hemmo - Violin / Viola
Jérôme Lemonnier - Composer
Benoît Levesque - Contrabass
Justine Levine - Violin
Lucas Malléus - Piano / Sciences
Sarah Meloux - Violin
Paulo Navarro - Piano
Benjamin N'Kaoua - Composer / Percussions
Jérôme Noirot - Sound engineer
Maxime Perreau - Viola
Antoine Pradalet - Sound engineer
Samy Rachid - Violoncello
Clément Sozanski - Viola
Natsumi Takahashi - Saxophone
Chloé Triscornia - Violoncello
Frédéric Visconte - Violin
La Majeur recording studio, Paris
Département SATIS de la Faculté des Sciences d'Aix-Marseille
ADLER Samuel, The Study of Orchestration - Second Edition, W. W. Norton and Compagny, 1989
ALTENBURGER Paul, Manuel de Lutherie, Vial, 2000
BERLIOZ Hector, Grand Traité d'Instrumentation et d'Orchestration, Lemoine, 1860
CAPLAIN Robert, Techniques de prise de son, Dunod, 2017
DANHAUSER Adolphe, Théorie de la Musique, Henri Lemoine, 1995*
DALMONT Jean-Pierre & KERGOMARD Jean, Le rythme des anches, Pour La Science n°373, Pour La Science, 2008
DONVAL Serge, Histoire de l'Acoustique Musicale, Fuzeau, 2006
FORSYTH Cecil, Orchestration, MacMmillan & Co, 1914
ROADS Curtis, L'Audionumérique - Musique et Informatique, Dunod (Audio-Photo-Vidéo), 2007
SIRON Jacques, Dictionnaire des Mots de la Musique, Outre Mesure, 2006
SOLOMON Samuel Z., How to write for percussions - second edition, Oxford University Press, 2016
VANBESALAERE Jean-Philippe, Guide de l'instrumentation à l'usage des ensembles d'instruments à vents, Van de Velde, 1995